Sutherland Brothers & Quiver 1975 and 1976
I was aware of The Sutherland Brothers and Quiver as two separate bands, and saw them both live a few times. I saw The Sutherland Brothers at the Lincoln and Reading festivals in 1972, and Quiver as support for T Rex, and at Sunderland Poly Wearmouth Hall. They were two very different bands. The Sutherland Brothers an acoustic fold duo, who had a great 1972 single “The Pie” and the song “Sailing” which was to become a massive hit when covered by Rod Stewart. Quiver were a folky rock band, led by excellent guitarist Tim Renwick, and did a great version of The Beatles “Saw Her Standing There”.
In late 1972 the two acts joined forces and became Sutherland Brothers and Quiver. This seemed to me to be a strange move at the time, but proved to be very sensible. They released an album “Dream Kid”, and the excellent title track was released as a single, which should have been a hit but sadly didn’t chart. The new band toured constantly; I saw them at the Reading Festival in 1974 and 1976, and at Sunderland Poly Wearmouth Hall on 5th December 1975. In 1976 they released “Arms of Mary”, their biggest hit, which reached No. 5 in the UK singles chart. They headlined a major tour at the time, calling at Newcastle City Hall on 26th September 1976. Support came from Moon, a successful pub rock band. The success was to be short lived. Tim Renwick left the group in 1977 and by 1979 the Sutherland Brothers had parted company with Quiver, and returned to recording as a duo. Sutherland Brothers & Quiver were a very under-rated band. The combination of the Sutherland Brothers’ great songs, and the guitar-based rock music of Quiver was a powerful mixture. Their live performances were always excellent, and their music crossed and combined genres including pop, country, rock, reggae and folk. There was so much more to them than their rather middle of the road (MOR) hit “Arms of Mary” might suggest. Perhaps that was the problem; a fine band who were difficult to pigeon hole, and landed a MOR hit, which gave them an audience who didn’t fully appreciate the breadth and depth of their music. That, and the advent of punk, probably sealed their fate. Listen to “The Pie” or “Dream Kid”.
Archive for the ‘Sutherland Brothers and Quiver’ Category
Sutherland Brothers & Quiver 1975 and 1976
The Reading Festival 27 – 29 August 1976
It was August Bank Holiday 1976 and I was back at Reading for the annual festival. By now a group of us went every year, usually traveling down in the back of a hired transit van. The line-up for this festival wasn’t as strong as previous years, and included a mix of reggae, classic rock, underground and heavy metal bands. Punk was on the horizon, but yet to break through. The other memories I have are of rain (some, but not lots in 1976, as I recall), mud, lots of drunkenness (by us, and every one else as I remember), and lots (and I mean lots) of can fights, which seemed fun at the time, but were probably actually pretty dangerous. If you got a half-full can of Watney’s Red Barrel on the back of your head, you really knew about it, and several people must have come home from the festival with pretty nasty cuts and scars. The festival was moving from a friendly, hippy vibe to a drunken, laddish, almost aggro vibe. This also matched the way the line-up and the music would develop, as it moved more to heavy metal in the late ’70s. The main attraction for us this year was Rory, who was the man, and a hero to us all.
Friday’s line-up consisted of Stallion (don’t recall who they were), Roy St John (American pub rock), U Roy (reggae), Supercharge (a Liverpool band fronted by singer and sax player Albie Donnelly, who had quite a bit of success in the mid-70s and played a lot up and down the country; I remember seeing them several times), Mighty Diamonds (reggae), Mallard (Cpt Beefheart’s original Magic Band, and pretty good too) and headliners the hippy, trippy and quite weird Gong. I remember watching Mallard and Gong, who were both pretty good.
Saturday had Nick Pickett (a folk singer, who I’d seen supporting Curved Air a few years earlier), Eddie & The Hot Rods (classed as pub rock as much as punk at this stage), Moon, Pat Travers (ace guitarist), Jon Hiseman’s Colosseum, Sadista Sisters, Manfred Mann’s Earth Band, Van Der Graaf Generator, Phil Manzanera and the 801 band, Camel and Rory Gallagher. Stand outs for me were Van Der Graaf who played an amazing extended version of Killer (John Peel: “Bloody marvellous, Van der Graaf Generator. Come on let’s here it for them”), Manfred Mann, and Phil Manzanera and the 801 band, which was seen as a pretty big deal at the time as Phil had assembled a stella line-up of himself (guitar), ex-Roxy compatriot Brian Eno (keyboards, synthesizers, vocals), Bill MacCormick (bass, vocals), Simon Phillips (drums), Francis Monkman (ex-Curved Air, piano and clavinet) and Lloyd Watson (ace slide-guitar, vocals). The 801 band released one album, and a live lp which was recorded at one of three gigs that they played, at the Festival Hall. They played a great version of the Beatles’ Tomorrow Never Knows. But Rory was the highlight of the weekend. We were all massive fans, and made our way to the front of the crowd for his set, which was just amazing. A recording of Rory’s set that night exist which shows that he played: Take What I Want; Bought and Sold; Everybody Wants To Know; Drinkin’ Muddy Water; Tattoo’d Lady; Calling Card; Secret Agent; Pistol Slapper Blues; Too Much Alcohol; Souped-Up Ford and Bullfrog Blues. The Rory Gallagher band was Rory (guitar, vocals), Lou Martin (keyboards), the great Gerry McAvoy (bass) and Rod de’Ath (drums).
Sunday featured: Howard Bragen; Aft; The Enid (who got the crowd singing along with Land Of Hope And Glory and became a festival favourite), A Band Called ‘O’; Back Door (very jazzy); Sassafras; Brand X (featured Phil Collins on drums); AC/DC (one of their early UK appearances, and just blew everyone away; Angus and Bon Scott on top form); Sutherland Bros & Quiver; Ted Nugent (had some arguments with the crowd who were throwing cans at him); Black Oak Arkansas (Jim Dandy to the Rescue 🙂 ) and Osibisa (who were billed as special mystery guests, which seemed a bit of a let down, but got the crowd going and went down well).
Another fun time had by all 🙂
Note; for the first time there was an official glossy programme, as well as the newspaper programme, produced by the local Evening Post. Both are pictured here.