The Who Wembley Arena 13th Feb 2016
Last night The Who returned to their home turf to play a one-off gig at Wembley Arena. Roger Daltrey has been suffering from viral meningitis, which resulted in the postponement of the last leg of their American Tour, and this gig was slotted in by way of a warm-up before the band returns to the USA to play the rearranged dates. I’m pleased to report that Roger looks and sounds well, although he did tell us that he wasn’t 100% and that his “legs weren’t fully there”. Well it didn’t show. This was another classic Who performance, easily on par with, if not surpassing, their Hyde Park show last Summer. A sold-out crowd of locals and die-hard Who fans from across Europe gave the band the rousing London welcome they deserve. The Who Hits 50! Tour is a celebration of the amazing legacy of a legendary band who have given us so much over the years. This was my 21st (I think) Who live experience, and the third time I’ve seen them on the current tour, having caught the first leg of the tour at Newcastle Arena in late 2014 and the Hyde Park gig last summer. The set is largely the same, although it has become slightly shorter with openers “I Can’t Explain” and “Substitute” being dropped, as has their early attempt at a mini opera “A Quick One (While He’s Away)”. Last night we were treated to the inclusion of the instrumental “The Rock” as part of a trio of songs from “Quadrophenia”.
The evening started with a slide show which took us through the history of the band, and featured many great images of the late Keith Moon and John Entwistle. This tour is a celebration of their legacy and contribution, as well as a run through of some of the Who’s greatest songs. The band walked on stage and launched straight into “Who Are You?” and away we went on another amazing journey through so many classic tunes; a history of this extraordinary band, and also of our own lives and memories. The giant screen behind the stage displayed powerful full-face images of Roger, Pete, Keith and John, along with clips of the Who in the ’60s and the ’70s and clips from Quadrophenia. The sound was crisp; I was sitting halfway back on the terrace to the left of the stage, and every note was very clear. The first part of the set featured early classics: “The Seeker”, “Picture of Lily”, “The Kids are Alright”, “My Generation” and my personal favourite “I Can See for Miles”. Then we moved swiftly to the ’70s and the haunting “Behind Blue Eyes” followed by “Bargain” from “Who’s Next”, “Join Together”, and “You Better You Bet”. The aforementioned segment from “Quadrophenia” followed. “Eminence Front” is not my favourite track, so I took the opportunity to have a walk around the arena, finding a spot downstairs on the floor towards the back. I spent the rest of evening there, enjoying the band and observing the crowd singing along, dancing and generally going crazy. The songs from “Tommy” followed, culminating in a powerful crowd singalong to “Listening to You” which always gets me. I knew we were on the home stretch. Roger’s voice was holding out fine, and Pete was full of power and angst, twirling and twirling his arm, and squeezing great solos out of his Fender Stratocaster. The familiar minimalist synthesiser intro signalled “Baba O’Reilly” which then lead into closing song “Won’t Get Fooled Again”; as raw and relevant as ever. Pure class. Pete introduced the band, and they left the stage at around 10.30pm. I took the 2 minute walk across the road to the Wembley Hilton. Pete said at the end “Hope to see you again.” Yes indeed, hope so.
Setlist: Who Are You; The Seeker; The Kids Are Alright; I Can See for Miles; My Generation; Pictures of Lily; Behind Blue Eyes; Bargain; Join Together; You Better You Bet; I’m One; The Rock; Love Reign O’er Me; Eminence Front; Amazing Journey/Sparks; Pinball Wizard; See Me Feel Me/Listening to You; Baba O’Reilly; Won’t Get Fooled Again
I’m typing this on a very slow train (engineering works on a Sunday) which is gradually taking me back home ‘up north’. Next stop is York. I’m feeling quite tired and stiff this morning; must be starting to feel my age.
Posts Tagged ‘music’
They Might Be Giants Newcastle Riverside 28 Jan 2016
The Ingenious Hidalgo Don Quixote of La Mancha (frequently shortened to Don Quixote), is a book written by Spanish author Cervantes in the seventeenth century, and often considered to be the first modern novel. The main character, Don Quixote, is an insane man who thinks that windmills are evil giants, often tilting his lance at them. At one point Don Quixote’s trusted servant Sanch Panza asks the Don why he is preparing to attack several windmills with his lance. Don Quixote replies “Why, because they might be giants.” This inspired the name of a 1971 film, They Might Be Giants, and then of the quirky new wave alternative pop/rock band who Laura and I recently saw.
Now They Might Be Giants are pretty difficult to categorise. Their songs are all very different; however they also all share a few common factors: they have great hooks, they are catchy pop tunes, and they are super FUN. A Riverside packed with hipsters in the know was treated to an evening full of their top ditties, causing mucho bopping, dancing and singingalonging. The biggest bop was, of course, reserved for the wondrous Birdhouse in Your Soul (to my shame the only song I really knew). Super crazy cool; man.
Setlist: Walk On Water; Can’t Keep Johnny Down; They Might Be Giants; Music Jail; Why Does the Sun Shine?; Answer; The Statue Got Me High; Meet James Ensor; The Famous Polka; Doctor Worm; Alphabet of Nations; Rhythm Section Want Ad; Your Racist Friend; Bills, Bills, Bills (Destiny’s Child’s cover); Turn Around; I Was Dancing in the Lesbian Bar (Jonathan Richman cover); Cloisonné; Older; Let Me Tell You About My Operation; Birdhouse in Your Soul; Trouble Awful Devil Evil; Man, It’s So Loud In Here; Fingertips; Memo to Human Resources; Don’t Let’s Start; Damn Good Times
Encores: Particle Man; Robot Parade (Adult Version); James K. Polk; Twisting; Istanbul (Not Constantinople)
Dave Davies (and Ray!) Islington Assembly Hall London 18 Dec 2015
My early Christmas present to myself was to go and see Kinks guitar riff hero Dave Davies in London last night. And what a Christmas present it was. Dave Davies played a blinding set to his home crowd. Still recovering from flu, Dave bounded on stage, greeting us “Hello London! It’s good to be back in town!” He ran through a set of Kinks classics, album tracks and solo songs. Dave’s guitar was loud and fuzzy and his band’s versions of Kinks hits “Dead End Street” and (my favourite) “See My Friends” were raw and heavy. Dave’s own “Death of a Clown” started pretty ramshackle but finished as a great singalong. But the best was yet to come. Sometimes miracles do happen at Christmas.
For the last song, Dave introduced a “surprise for Christmas” and on walked brother Ray!!! The two brothers played “You Really Got Me” and the place went completely berserk. I was sitting upstairs and everyone leapt to their feet; singing, clapping, shouting and going generally nuts. The next few minutes became an unbelievable almost surreal dream. Ray and Dave shook hands as they left the stage. As I walked out of the venue onto the street everyone faces me were looking at each other; grinning, not quite believing what we had all just witnessed.
You can find a video here
This was the Davies brothers first time on stage together for 19 years, and it was an amazing event to witness; musically, historically and emotionally. Two brothers, in their home town, back together on stage where they belong, singing the song that started so much. It really doesn’t get any better; I am going to be on a high for ages. Best Christmas present since I opened my Johnny Seven in 1966.
Setlist: Ripping Up; All Day and All of the Night; She’s got everything; Creeping Jean; Tired of Waiting; See My Friends; In You I Believe; Strangers; Flowers in the Rain (Dave solo track, not the Move song); Young and Innocent Days; The Man He Weeps Tonight; Death of a Clown; Living on a Thin Line; Dead End Street; Where have all the Good Times Gone?; I’m Not Like Everybody Else; You Really Got Me (with Ray Davies)
Ronnie Spector The Sage Gateshead 30 Nov 2015
Now there are those that we call legends, and those who really are legends. Ronnie Spector is definitely in the latter category. The self-styled wild child of rock and roll, the rose of Spanish Harlem, one of “the” voices and faces of the ’60s, is still going strong, voice and beehive intact.
I’d waited some years for this. I recall reading a review of one of Ronnie’s comebacks in the ’70s and vowing then to see her. I finally kept my promise to myself, event if it has taken me 40 or so years to do so. I had a ticket for a gig in Edinburgh a few years ago and it was sadly cancelled, so when this time round Ronnie came over for a full tour, calling at the Sage, I was determined to catch her while I can.
I went along wondering whether she would still be able to do it. I needn’t have worried. I am delighted to report that Ronnie Spector can perform, sing and hold an audience in the palm of her hand for an entire evening.
The concert was a run through Ronnie’s life. Between each song she sat down and told a little story, illustrated by some great images and videos shown on a big screen above the stage. The balance between stories and songs was just right, as was the way in which Ronnie told the stories. Sometimes these shows sound like name dropping. This one didn’t; it worked really well. Her band consisted of three girls (who could be the young Ronettes) in red taffeta dresses, and a drum/ guitar/ bass/ organ/ sax combo. Perfect. She looked great, sporting the biggest hairdo you can imagine.
First up was the Ronettes classic “Baby I Love You”. Ronnie explained how the young girls were just desperate to sing and dance, telling a story of how they lined up at the door of the Peppermint Lounge, were mistaken for the dancers, were invited in and then bravely took to the stage with no rehearsal. Of course, they knocked the crowd out and it everything started. Cue “Keep on Dancing” followed by “What’d I Say”. Next Ronnie told us how she loved DooWop, which led into “I’m so Young” by early DooWop group the Students. We then moved to the UK and the Ronettes first tour of this country, on which they were supported by the Rolling Stones. “Time is on My Side” was sung in front of a picture of herself with Brian Jones and Keith Richards. Pure magic. The next couple of songs showcased great songwriters: “Is that what I get for Loving You?” by Goffin and King and “Paradise” by Harry Nilsson. Ronnie next celebrated another major milestone in the lady’s career: a video of the Ronettes first US TV appearance on American bandstand followed by the song they sang on the show all those years ago: “Do I Love You”, followed by “You Baby” and “Chapel of Love”. For the next two songs Ronnie paid tribute to one great lady singer who was a friend; and another who was her sister and a great influence. For “Walking in the Rain”, Ronnie talked about Dusty Springfield who she shared a dressing room with in the late ’60s. And for “(the best part of) Breakin’ Up” she told us about her sister Estelle who lived the Ronettes journey with her.
Ronnie explained how she left showbiz in the late ’60s to return in the ’70s. “I wish I never saw the sunshine” was followed by “You can’t put your arms around a Memory” which was written for her by Johnny Thunders, andrecorded with Joey Ramone. “Back to Black” paid tribute to Amy Winehouse who was, undoubtedly, influenced by Ronnie.
Next was the song I had been waiting for all night. “Be My Baby” sounded just great; still powerful; not at all cheesy. For encores we got an early Christmas in the form of “Frosty the Snowman” and the Ronettes last single, the Beach Boys “I Can Hear Music”.
A class act. It was great to witness a legend who for once truly lived up to expectations, and much more.
Maximo Park Newcastle City Hall 19 Nov 2015
This concert was a big deal for Maximo Park. Their Facebook page proudly declared “everyone has played Newcastle City Hall: Bob Dylan, the Beatles; and now we are playing there”. The concert had sold out quickly: a hometown show with the added attraction that the band were showcasing their excellent debut album “A Certain Trigger” in full was bound to be a big draw. Laura was really excited about going but sadly came down with flu on the night of the concert, so along I went to the City Hall on my own.
Maximo Park exploded onto the stage to a big loud and friendly roar from the home crowd. The set was one of two halves, opening with 11 tracks drawing from across their career, starting with “Girls who play guitar”. This was followed by a performance of all 13 tracks from “A Certain Trigger”. Ten years on the songs from the first album sound as fresh and modern as ever. The crowd loved it, and you could see how much the band enjoyed the night, and how keen they had been to grace the City Hall stage. A great performance from a local band who maintain a loyal and strong following.
Setlist: Girls Who Play Guitars; The National Health; A19; The Kids Are Sick Again; This Is What Becomes of the Broken Hearted; Hips and Lips; A Year of Doubt; Midnight on the Hill; Leave This Island; Our Velocity; Books from Boxes; [A Certain Trigger set:]; Signal and Sign; Apply Some Pressure; Graffiti; Postcard of a Painting; Going Missing; I Want You to Stay; Limassol; The Coast Is Always Changing; The Night I Lost My Head; Once, a Glimpse; Now I’m All Over the Shop; Acrobat; Kiss You Better