Posts Tagged ‘pop’

Brian Wilson Times Square Newcastle 6 August 2017

Support from: Seasick Steve and Martha Reeves

wilson tix

     I hate printed tickets

When I was growing up in the 1960s, there were three singles which stood out for me. Each one was a defining moment. When I heard each of these singles, I stopped doing whatever I was doing and listened intently to the music and the lyrics. Each of these three songs sounded completely new, completely different; as if they had come from another dimension, another planet, some other place. The sound, the lyrics, the music and the mood were all so special to me and remain so until this day. The records were: “Like a Rolling Stone” by Bob Dylan, “Strawberry Fields” by the Beatles and “Good Vibrations” by The Beach Boys. “Good Vibrations” later became widely acclaimed as one of the finest and most important works of the rock era (Wikipedia). So going to see Brian Wilson, the genius behind the last of these three singles is always special.

The other thing that I think is worthy of mention here, and of consideration, is a question. There are, in effect, two versions of the Beach Boys touring. Which one is the genuine article? There is Brian Wilson, the driving force and genius behind the early Beach boys and all those great hitswho is touring with, original Beach Boys guitarist Al Jardine, and The Beach Boys touring band which is fronted by original member Mike Love and Bruce Johnston, who joined the band in 1965 when Brian Wilson stopped touring. Now Mike Love wrote the lyrics to “Good Vibrations” while Brian Wilson composed the music and they were both original members of the band. But many people believe without any of the Wilson brothers, there is no Beach Boys.

York_Racecourse

Source Wikimediacommons Dr Bertrande

Not too many years ago, I went to see the Mike Love touring version of The Beach Boys with Marie at York racecourse. The band played after the horseracing and Marie and I stayed in a lovely hotel directly opposite the racecourse. The Beach Boys played all the hits, and did a pretty good job of doing so, and it was a pleasurable evening (although we did lose on every race). But something was missing. Without Brian, and the true genius of the band, for me The Beach Boys are not complete. I also saw The Beach Boys in the 1970s when Carl and Dennis Wilson were both alive, and Brian was not touring at the time, and they were tremendous. So I think there is a place for both bands, but saying that Brian Wilson is something special; he is the genius behind this band and carries with him the soul and essence of The Beach Boys.

Anyway, to the concert. David, Shauna, Laura, my carer Alan and I all went along to this Brian Wilson concert which took place in Times Square Newcastle, an open-air venue at the Centre For Life. The support acts were pretty strong in the form of soul legend Martha Reeves, and country blues icon Seasick Steve. It was a very rainy day, so to our shame, we decided to miss out on the support acts, stayed dry, and turn up just in time for Brian Wilson’s set. When we did arrive, we were a little squashed on the disabled platform but managed to squeeze in. Brian Wilson’s set was in three segments. He started with some great Beach Boys classics: “California Girls” followed by another of my all-time favourites “I Get Around” and several other classics.

PetSoundsCoverThen we were treated to the album Pet Sounds in its entirety.  Promoted as “the most progressive pop album ever“, Pet Sounds attracted recognition for its ambitious recording and sophisticated music. “It is widely considered to be among the most influential albums in the history of music” (Abjorensen, 2017). The opening song “Wouldn’t It Be Nice” is a classic and great favourite of mine. Other standouts from the album are “Sloop John B”, “God Only Knows” and the closing song “Caroline, No”. Brian closed the set with another segment of Beach Boy hits including the aforementioned “Good Vibrations” (the theremin still gets me), “Barbara Ann” (which I remember being a big favourite of mine and my friends at the time it came out; we all sang it again and again in the play yard), “Help Me, Rhonda”, back to the very start and “Surfing USA”, another great favourite of mine “Fun, Fun, Fun” and they closed with “Love and Mercy”,  the opening track to Brian’s 1988 debut solo album.

wilson prog

My programme

Brian has assembled a great band around him and the songs sound as authentic as the originals. We all really enjoyed the concert, and had a great evening; although Laura was a little on edge and on the phone constantly to Dale as this was the first time she had left Phoebe’s side, as Phoebe was only four weeks old at the time. A lovely evening spent with family and in the presence of a true genius. We are looking forward to going to see Brian Wilson again at the Sage Gateshead in June 2021 post (we hope) coronavirus. Roll on “the new normal”.

Setlist: California Girls; Dance, Dance, Dance; I Get Around; Darlin’; Surfer Girl; Don’t Worry Baby;    Wild Honey; Sail On, Sailor.

Pet Sounds: Wouldn’t It Be Nice; You Still Believe in Me; That’s Not Me; Don’t Talk (Put Your Head on My Shoulder); I’m Waiting for the Day; Let’s Go Away for Awhile; Sloop John B; God Only Knows; I Know There’s an Answer; Here Today; I Just Wasn’t Made for These Times; Pet Sounds; Caroline, No.

Good Vibrations; Barbara Ann; Help Me, Rhonda; Surfin’ U.S.A.; Fun, Fun, Fun; Love and Mercy

Abjorensen, Norman (2017). Historical Dictionary of Popular Music. Rowman & Littlefield Publishers. p. 40. ISBN 978-1-5381-0215-2.

 

 

 

The Hollies Sage Gateshead 14 April 2018

hollies tix 2018Okay. So they come around a lot, and the songs are always quite similar. But never quite the same. There are always a few small changes, which never cease to delight me. After all they have so many great hits to choose from. Sure, I was just a kid at the time, but that’s exactly the point. The Hollies were part of my childhood. A very important part. Every time I see them memories flood back; memories of Saturday mornings at the Top Rank Suite, choosing Paisley Rave shirts with button-down collars, plastic wide two pronged belts from Woolworths, buying cheap coarse hipsters that made you itch all the time, swapping bubblegum cards in the schoolyard, talking about the latest hit records and who we’d seen on Top of the Pops on Thursday night.

The Beatles, the Stones, The Who, and the Hollies. Yes to me this band were a very important part of the 60s music scene. The line-up may have changed over the years, and the singer is no longer the great Alan Clarke, but the soul, the ethos, the power, the choruses and those great harmonies, those voices remain. As the band often say themselves, the Hollies were always about voices and songs. Great songs.

Mars01

Mars Attacks! Trading bubblegum cards in the school yard

The Hollies current line-up is: Tony Hicks – lead guitar, backing vocals (1963–present); Bobby Elliott – drums (1963–present); Ray Stiles (ex Mud) – bass (1986–present); Ian Parker – keyboards (1991–present); Peter Howarth – lead vocals, rhythm guitar (2004–present); Steve Lauri – rhythm guitar, backing vocals (2004–present).Tony Hicks still looks as young as ever (he surely must have a portrait in the attic) and Bobby Elliott is omnipresent in cool, black hat, proudly wearing the Hollies moniker on his drum kit. And singer Peter Howarth brings his own style to the songs, now so well-established in the band that he has the confidence to do so.

bus stopThis is no embarrassing 60s package show; rather it is a two-hour celebration of hits spread across two sets. They start off with “King Midas in Reverse”, the song that so disappointed Graham Nash when it wasn’t a hit, that it was one of the reasons for him eventually leaving the band. Still a great song today. Then off we go into a stream of hits; some sang individually, some mashed together as a medley: “I Can’t Let Go”, “Sorry Suzanne”, “Jennifer Eccles”, “On a Carousel”. This band really were great when at the top of their game in the 60s; and the hits still sound great today. The first set finished with one of my favourites, starting with a classic guitar intro from Tony Hicks: “Look through Any Window”.

In the second set we are treated to more classics and even more of my favourites: “Bus Stop”; I played and played that single until it was worn out; “I’m Alive” (their only number one hit); followed by the very underrated “The Baby”. Then then tell a story, which I have heard so many times now, of a crazy night in a club with Eric Burdon (the Egg Man: but that’s another story) and The Animals as an introduction to “Stop! Stop! Stop!”. When we reach the harmonica introduction to “He Ain’t Heavy, He’s My Brother” and Tony’s great guitar intro to “The Air That I Breathe”, I know we are close to the end. The encore is the rock ‘n’ roll song “Long Cool Woman in a Black Dress”; not a great favourite of mine, but still good to end on. And that’s it. Another evening of 60s classics. Until next time. “The road is long………”hollies prog 2018

Setlist. Set 1: King Midas in Reverse; I Can’t Let Go; Sorry Suzanne; Jennifer Eccles; On a Carousel;    Gasoline Alley Bred; Listen to Me; Magic Woman Touch; Weakness; We’re Through; Priceless;  I Can’t Tell the Bottom From the Top; Just One Look; Stay; Look Through Any Window. Set 2: Here I Go Again; The Day That Curly Billy Shot Down Crazy Sam McGee; Yes I Will; Bus Stop; I’m Alive; The Baby; 4th of July, Asbury Park (Sandy); Carrie Anne; Stop! Stop! Stop!; He Ain’t Heavy, He’s My Brother; The Air That I Breathe. Encore: Long Cool Woman in a Black Dress

 

Jeff Lynne’s Electric Light Orchestra Newcastle Arena 14th April 2016

ELO TICKETThis was one of the last concerts I attended before my accident and I am finally getting to report on it. I went along with my mate Norm and we were both looking forward to seeing (a new version of) the Electric Light Orchestra again. I’ve seen the ELO many times before, from the very early days when there were a spin-off band from the Move, initially set up by Roy Wood and Jeff Lynne. But I hadn’t seen them since the 1970s, as I recall, and to be honest this was something I thought I would never see again. But Jeff Lynne had decided to come out of retirement, reform the band and delight fans all over the world (to quote one of their songs).
They started their set with “Tightrope”, followed by one of my favourites “Evil Woman”. And then the hits started flowing. Jeff Lynne had assembled a band of excellent musicians who supported him in playing faultless versions of all their songs. Pure magic. “Telephone Line”, “Turn to Stone”, “Sweet Talking Woman” and many others. They even took us right back to “10538 Overture”, ELO PROGwhich transported me back to seeing them play it at the Reading Festival in 1972; such happy days and happy memories. They closed with “Mr Blue Sky”, another favourite of mine. The encore was (as it always had been, even back in the old days) “Roll over Beethoven”, their unique semi-orchestral version of Chuck Berry’s rock ‘n’ roll classic. The crowd were ecstatic; a night of nostalgia, happy memories, great fun and great music.

Setlist: Tightrope; Evil Woman; Showdown; All Over the World; When I Was a Boy;  Livin’ Thing; Ain’t It a Drag;  Can’t Get It Out of My Head; Rockaria!; 10538 Overture; Secret Messages; Steppin’ Out; Shine a Little Love; Wild West Hero; Telephone Line; Turn to Stone; Don’t Bring Me Down; Sweet Talkin’ Woman; Mr. Blue Sky. Encore: Roll Over Beethoven

They Might Be Giants Newcastle Riverside 28 Jan 2016

They Might Be Giants Newcastle Riverside 28 Jan 2016
they might be giants tixThe Ingenious Hidalgo Don Quixote of La Mancha (frequently shortened to Don Quixote), is a book written by Spanish author Cervantes in the seventeenth century, and often considered to be the first modern novel. The main character, Don Quixote, is an insane man who thinks that windmills are evil giants, often tilting his lance at them. At one point Don Quixote’s trusted servant Sanch Panza asks the Don why he is preparing to attack several windmills with his lance. Don Quixote replies “Why, because they might be giants.” This inspired the name of a 1971 film, They Might Be Giants, and then of the quirky new wave alternative pop/rock band who Laura and I recently saw.
Now They Might Be Giants are pretty difficult to categorise. Their songs are all very different; however they also all share a few common factors: they have great hooks, they are catchy pop tunes, and they are super FUN. A Riverside packed with hipsters in the know was treated to they-might-be-giantsan evening full of their top ditties, causing mucho bopping, dancing and singingalonging. The biggest bop was, of course, reserved for the wondrous Birdhouse in Your Soul (to my shame the only song I really knew). Super crazy cool; man.
Setlist: Walk On Water; Can’t Keep Johnny Down; They Might Be Giants; Music Jail; Why Does the Sun Shine?; Answer; The Statue Got Me High; Meet James Ensor; The Famous Polka; Doctor Worm; Alphabet of Nations; Rhythm Section Want Ad; Your Racist Friend; Bills, Bills, Bills (Destiny’s Child’s cover); Turn Around; I Was Dancing in the Lesbian Bar (Jonathan Richman cover); Cloisonné; Older; Let Me Tell You About My Operation; Birdhouse in Your Soul; Trouble Awful Devil Evil; Man, It’s So Loud In Here; Fingertips; Memo to Human Resources; Don’t Let’s Start; Damn Good Times
Encores: Particle Man; Robot Parade (Adult Version); James K. Polk; Twisting; Istanbul (Not Constantinople)

Ronnie Spector Sage Gateshead 30 Nov 2015

Ronnie Spector The Sage Gateshead 30 Nov 2015
imageNow there are those that we call legends, and those who really are legends. Ronnie Spector is definitely in the latter category. The self-styled wild child of rock and roll, the rose of Spanish Harlem, one of “the” voices and faces of the ’60s, is still going strong, voice and beehive intact.
I’d waited some years for this. I recall reading a review of one of Ronnie’s comebacks in the ’70s and vowing then to see her. I finally kept my promise to myself, event if it has taken me 40 or so years to do so. I had a ticket for a gig in Edinburgh a few years ago and it was sadly cancelled, so when this time round Ronnie came over for a full tour, calling at the Sage, I was determined to catch her while I can.
I went along wondering whether she would still be able to do it. I needn’t have worried. I am delighted to report that Ronnie Spector can perform, sing and hold an audience in the palm of her hand for an entire evening.
The concert was a run through Ronnie’s life. Between each song she sat down and told a little story, illustrated by some great images and videos shown on a big screen above the stage. The balance between stories and songs was just right, as was the way in which Ronnie told the stories. Sometimes these shows sound like name dropping. This one didn’t; it worked really well. Her band consisted of three girls (who could be the young Ronettes) in red taffeta dresses, and a drum/ guitar/ bass/ organ/ sax combo. Perfect. She looked great, sporting the biggest hairdo you can imagine.
First up was the Ronettes classic “Baby I Love You”. Ronnie explained how the young girls were just desperate to sing and dance, telling a story of how they lined up at the door of the Peppermint Lounge, were mistaken for the dancers, were invited in and then bravely took to the stage with no rehearsal. Of course, they knocked the crowd out and it everything started. Cue “Keep on Dancing” followed by “What’d I Say”. Next Ronnie told us how she loved DooWop, which led into “I’m so Young” by early DooWop group the Students. We then moved to the UK and the Ronettes first tour of this country, on which they were supported by the Rolling Stones. “Time is on My Side” was sung in front of a picture of herself with Brian Jones and Keith Richards. Pure magic. The next couple of songs showcased great songwriters: “Is that what I get for Loving You?” by Goffin and King and “Paradise” by Harry Nilsson. Ronnie next celebrated another major milestone in the lady’s career: a video of the Ronettes first US TV appearance on American bandstand followed by the song they sang on the show all those years ago: “Do I Love You”, followed by “You Baby” and “Chapel of Love”. For the next two songs Ronnie paid tribute to one great lady singer who was a friend; and another who was her sister and a great influence. For “Walking in the Rain”, Ronnie talked about Dusty Springfield who she shared a dressing room with in the late ’60s. And for “(the best part of) Breakin’ Up” she told us about her sister Estelle who lived the Ronettes journey with her.
Ronnie explained how she left showbiz in the late ’60s to return in the ’70s. “I wish I never saw the sunshine” was followed by “You can’t put your arms around a Memory” which was written for her by Johnny Thunders, andrecorded with Joey Ramone. “Back to Black” paid tribute to Amy Winehouse who was, undoubtedly, influenced by Ronnie.
Next was the song I had been waiting for all night. “Be My Baby” sounded just great; still powerful; not at all cheesy. For encores we got an early Christmas in the form of “Frosty the Snowman” and the Ronettes last single, the Beach Boys “I Can Hear Music”.
A class act. It was great to witness a legend who for once truly lived up to expectations, and much more.

Maximo Park Newcastle City Hall 19 Nov 2015

Maximo Park Newcastle City Hall 19 Nov 2015
FullSizeRender(6)This concert was a big deal for Maximo Park. Their Facebook page proudly declared “everyone has played Newcastle City Hall: Bob Dylan, the Beatles; and now we are playing there”. The concert had sold out quickly: a hometown show with the added attraction that the band were showcasing their excellent debut album “A Certain Trigger” in full was bound to be a big draw. Laura was really excited about going but sadly came down with flu on the night of the concert, so along I went to the City Hall on my own.
Maximo Park exploded onto the stage to a big loud and friendly roar from the home crowd. The set was one of two halves, opening with 11 tracks drawing from across their career, starting with “Girls who play guitar”. This was followed by a performance of all 13 tracks from “A Certain Trigger”. Ten years on the songs from the first album sound as fresh and modern as ever. The crowd loved it, and you could see how much the band enjoyed the night, and how keen they had been to grace the City Hall stage.  A great performance from a local band who maintain a loyal and strong following.
Setlist: Girls Who Play Guitars; The National Health; A19; The Kids Are Sick Again; This Is What Becomes of the Broken Hearted; Hips and Lips; A Year of Doubt; Midnight on the Hill; Leave This Island; Our Velocity; Books from Boxes; [A Certain Trigger set:]; Signal and Sign; Apply Some Pressure; Graffiti; Postcard of a Painting; Going Missing; I Want You to Stay; Limassol; The Coast Is Always Changing; The Night I Lost My Head; Once, a Glimpse; Now I’m All Over the Shop; Acrobat; Kiss You Better

Brian Auger’s Oblivion Express Gateshead Old Town Hall 6th November 2015

Brian Auger’s Oblivion Express Gateshead Old Town Hall 6th November 2015
FullSizeRenderI’ve always wanted to see Brian Auger. I am a big fan of that classic ’60s swirling Hammond organ sound and you don’t get much better an exponent of that groove than Mr Auger. Brian Auger has played or toured with many of the greats of classic rock including Rod Stewart, Julie Driscoll; Jimi Hendrix, John McLaughlin, Led Zeppelin, and Eric Burdon. Those crazy stylish videos of the Brian Auger Trinity and Julie Driscoll playing “Wheels on Fire” will remain etched within my memory for ever. But today Brian Auger is once again fronting his jazz rock combo the Oblivion Express. brian augerAccompanying Brian in this incarnation of Oblivion Express are his son Karma Auger on drums, Mike Clairmont on bass and Alex Ligertwood on vocals, guitar and percussion. Alex Ligertwood hails from north of the border, and is best known as being the lead vocalist of Santana on several occasions during the period 1979 to 1994. He also performed with The Jeff Beck Group (1970) and was a member of Brian Auger’s Oblivion Express in the early 1970s.
The concert took place in the beautiful and historic Gateshead Old Town Hall building. gateshead old town hallA respectable number of evening hipsters turned up on a cold Friday evening to groove away to the Oblivion Express’ jazz rock fusion extravanganza. Auger’s music is enjoying renewed interest and the audience reflected this, consisting of young and old; all keen to experience the sound of a band of excellent musicians. The material was unfamiliar to me, drawing from jazz greats including Jimmy Smith, Miles Davis abd Art Blakely, but nonetheless enjoyable. Auger’s Hammond organ playing has lost none of its style and Alex Ligertwood’s vocals were excellent. An enjoyable evening, spent experiencing some music which is a little different from the gigs I usually attend.

Bob Dylan Manchester Apollo 28th October 2015

Bob Dylan Manchester Apollo 28th October 2015FullSizeRender(2)
Bobby; he keeps reinventing himself. These days he has become a crooner, the ultimate smokey lounge singer, paying tribute to all those great balladeers who went before. It sort of suits his croaky gravelly rasp. Like he has found his way back home. His latest album “Shadows in the night” covers songs made famous by Frank Sinatra. It has been a big success; reaching Number 1 in the UK album charts and achieving rave reviews. The Telegraph declared it Dylan’s “best singing in 25 years.” The crowd at Manchester Apollo knew the score. Two nights sold out in the blink of an eye. Everyone wants to go see Bobby sing those sad winding poetic tunes. FullSizeRender(5)From Rolling Stone: “He felt that a lot .. of it was written from the heart …He felt there was a lot of spirit in that music. …. ‘I’m not gonna write a song; I’m gonna pay homage to what shook me as young boy.'” So no “Like a Rolling Stone” or “All along the Watchtower” this time around, although we were treated to “Tangled up in blue”, “She belongs to me” and, for an encore “Blowing in the Wind”. The rest of the set was drawn from Dylan’s recent albums. But hey I’m not complaining. Bob Dylan is singing great; better than he has been for years. Sure; I never dreamed I would see Bob Dylan sing Irving Berlin’s “What’ll I do”, but it works, and seems so natural. Dylan’s voice fits these songs like an old glove. Of the more recent Dylan tunes, “Scarlet Town” is dark and powerful. Closing classic “Autumn Leaves” was truly emotional, and a great way to end an excellent and enjoyable concert. As we made our way out of the Apollo, I could hear everyone around me commenting how good it was. Very different to shows I attended 10 years ago, which left some people disappointed. Me; I went back to my little hotel room in Piccadilly and got some sleep; I had to get up at 5am to catch a train to London for a meeting. Till next time Bobby.
Set 1: Things Have Changed; She Belongs to Me; Beyond Here Lies Nothin’; What’ll I Do; Duquesne Whistle; Melancholy Mood; Pay in Blood; I’m a Fool to Want You; Tangled Up in Blue
Set 2: High Water (For Charley Patton); Why Try to Change Me Now; Early Roman Kings; The Night We Called It a Day; Spirit on the Water; Scarlet Town; All or Nothing at All; Long and Wasted Years; Autumn Leaves
Encore: Blowin’ in the Wind; Love Sick

Donovan Tyne Theatre Newcastle 8th October 2015

Donovan Tyne Theatre Newcastle 8th October 2015
FullSizeRenderDonovan is out on the road again, working his way down the country on a 22 date 50th anniversary tour. He started in his home town of Glasgow, worked his way through Edinburgh and Dundee and then stepped over the border to come and play to us in Newcastle. From there he continues to Scarborough, Leeds and onward further south.
Now, Donovan is a bit of a story-teller and he is also a bit of a name-dropper. If you have ever been to one of his concerts you will know exactly what I mean. You are guaranteed to hear stories of the ’60s and of all the friends he made. At the Tyne Theatre Donovan tells us of his folk influences Buffy St Marie and Shawn Phillips as way of introduction to their songs “Universal Soldier” and “The Little Tin Soldier”. He mentions, of course, The Beatles and how George Harrison contributed a verse to “Hurdy Gurdy Man” and asks “Would you like to hear George’s verse?” to which we reply a rousing “YES”! He talks of his old friend and fellow traveler Gypsy Dave; and how they would have to run from crowds of screaming girls, comparing the scene to that of the Beatles running through the station at the start of “Hard Day’s Night”. Gypsy asked Donovan “Why are we running? Let’s stop and let them catch us!”. And he tells us of his muse and wife Linda, the subject of many of his songs; one of which “Madrigalinda” he sang for us. Linda and all the “Donovan clan” came to the Glasgow concert, “flying from every corner of the world” he declared proudly.
Donovan-Donovan's_Greatest_HitsDonovan sat alone cross-legged on a carpet laid across a raised platform, as he must have done many times over the years. He told us that we would “never be more than two or three songs away from a hit” and he was true to his word. He started the show with “Catch the Wind” and then went straight into “Colours”, many singing along with him. The mood then moved from “The Voice of Protest” from his 1975 7-Tease album to “Sleep” a lullaby from “Cosmic Wheels”. Then he took us back to 1965 and one of my favourites “The Little Tin Soldier” the “Fairytale” album. “Jennifer Juniper” was followed by the title track from 1976’s “Slow Down World”. Donovan then told a story of how “we all went to Jamaica” for a rest and a holiday during the ’60s and he came back with a new song “First There is a Mountain”. The first half of the concert closed with two old songs “To Try for the Sun” from “Fairytale” and “Donna Donna” from his first 1964 album “What’s Bin Did and What’s Bin Hid”.
After a short interval Donovan returned and sang “Universal Soldier” which sounds just as powerful today as it ever did. This was followed by the beautiful traditional folk song “The Trees they do Grow High”, “Madrigalinda” for Linda and the excellent “Hurdy Gurdy Man”. “Hurdy Gurdy Man” took me right back; I used to have the EP of the same name, and I played it endlessly. FullSizeRender(1)As introduction to “The Promise” Donovan told us of his lovely green guitar,”Kelly”, which was designed for him using the colours of the Book of Kells. This led into a story of how he once visited Jimmy Page’s house, and how Jimmy had 300 guitars all lying across the floor in their cases, all in tune because, as Jimmy told Donovan, “You never know when you might need to play one”. “The Promise”, said Donovan, is to be played by “Kelly”, always live, and will never be recorded. The ballad “Lalena” led into the jokey fun “Intergalactic Laxative” from “Cosmic Wheels”. Then came the inevitable singalong of “Happiness Runs” with the men singing “Tralala…”, the women singing “Happiness Runs”, and Donovan singing the verse of top; all a bit too embarrassing for me. I didn’t join in (sorry Donovan). “Sunshine Superman” took us safely back to the hits. Now it I thought “Happiness Runs” was embarrassing, the final song took the meaning of the word embarrassment to whole new level. For “Mellow Yellow” Donovan finally took to his feet, and mimed and danced awkwardly to a recording of the original track. Still, you have to forgive him. It was great to see Donovan again. He has a tremendous back catalogue of tunes, and his stories are always fun (even if I have heard most of them before).
Set 1: Catch the Wind; Colours; The Voice of Protest; Sleep; The Little Tin Soldier; Jennifer Juniper; Slow Down World; First There is a Mountain; Try for the Sun; Donna Donna
Interval
Set 2: Universal Soldier; The Trees they do Grow High; Madrigalinda; Hurdy Gurdy Man; The Promise; Lalena; Intergalactic Laxative; Happiness Runs; Sunshine Superman; Mellow Yellow

Jimmy Cliff Newcastle Riverside 6th August 2015

Jimmy Cliff Newcastle Riverside 6th August 2015
jimmycliffSeeing Jimmy Cliff has been on my bucket list for many years. Well last week I finally got to see him and The Man he didn’t let me down. The Riverside was ram packed with a lively mix of soul dudes, punks and roots rockets all ready to dance, sing and shout along with those great toons. The place was hot, Jimmy Cliff was on fire and the band were lively and loud. Great songs: “You Can Get It If You Really Want”,”Wild World”, “Vietnam”, “Many Rivers to Cross” sung with passion by Jimmy and by half the crowd too. But for me the toppest of top classic is and always will be, as The Man told us, the song which “I Man brought reggae to the world”: “The Harder They Come”. Takes me back to a day when reggae was fresh, new, exciting, raw, different. I’ve said it before and I will no doubt say it again, but the old guys are (at least to me) truly the best. Great to see a guy who lives up to his own legend. 100% class act. Respect. image
Setlist (something like): Bongo Man / Rivers of Babylon; You Can Get It If You Really Want; Hard Road to Travel; Rebel Rebel; Wild World; This Is My Love Song; Under the Sun, Moon and Stars; I Can See Clearly Now; Reggae Night; Vietnam; The Harder They Come; Many Rivers to Cross; King of Kings; Miss Jamaica; Wonderful World, Beautiful People; Let Your Yeah Be Yeah; Treat the Youths Right; Rub-A-Dub Partner; Reggae Music
Encore: Special; Roots Woman
“So as sure as the sun will shine
I’m gonna get my share now of what’s mine
And then the harder they come
The harder they’ll fall, one and all” (Jimmy Cliff, 1972)